I like Destroyer. The Canadian producer/band (I’m not sure even he knows quite what the make-up of the project is as it changes members so much) makes slightly spacy, intelligent and really good music. Last year he released Kaputt, which was great. As I liked it so much I’m going to share a couple of my favourite tracks from it in the hope that you’ll like them enough to go out and buy it and listen to it lots. He’s also a key member of The New Pornographers, so if you like this you’ll like them, and vice versa. Continue reading
Monthly Archives: January 2012
Review: Tribes – Baby
The current trend in ‘Indie’ music is to write songs that sound like they’ve stepped out of a Delorean from the 80’s. Knowing this (expecting it, even) makes the opening of Tribes’ debut rather surprising, as they draw influence from bands of the following decade like Nirvana and Pixies rather than Huey Lewis and Steve Winwood. Continue reading
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#150 – Remembering Etta James
It’s been about a week now since Etta James, one of the most talented and recognisible characters in the Rhythm and Blues scene of the 50’s and 60’s, passed away. She had a sound that blended Jazz, R&B and Rock & Roll and Gospel in equal parts with a voice that stands head and shoulders above her peers. Continue reading
#149 – Tennis ‘Origins / Deep In The Woods’
That’s the band Tennis. Not this (obviously!). They’ve been working on a new album called Young & Old which is a couple of weeks away from being released. Judging by the two songs on this page, we’ll have more of the same. So three and a half minute slices of fuzzy, pretty, sun-infused, piano/guitar pop songs with Alaina Moore’s delightful singing over the top. Continue reading
#148 – Mr Fogg Told Me To
Filed under They Told Me To
#147 – What’s Up With Hot Chip?
It’s been a while since I’ve listened to them, largely because I don’t think there’s been much new stuff of theirs floating about. They are due a new album though, which is going to be released at some point this year. For now we’ve got a new song to listen to called ‘No Fit State’. It’s classic Hot Chip, with a four-on-the-floor beat, Alexis and Joe Goddard trading vocals and the synths sitting very nicely in the track thankyouplease.
Hot Chip – No Fit State
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#146 – Ben Leftwich’s ‘Pictures’ Gets Remixed
I would not put myself on record as being a massive fan of Dubstep. But that’s probably not fair, as it’s not all ‘quiet bit, quiet bit, quiet bit, pause…… DROP’ (kind of like this). I suppose the following is probably a Dubstep remix, but I like it. It’s from the up-and-coming Benjamin Francis Leftwich, who has been making waves of late and who looks like making it big this year. I’ve heard a fair bit of his stuff, and on the strength of his original stuff he deserves too. And if he’s going to get more songs remixed like the one below, then surely the next logical step is superstardom. It’s laid back, soaring stuff from a quality Welsh producer called GZUS. I don’t know an awful lot about him, only that he’s also worth checking out, especially if you’re more of a dub-head than I am. Continue reading
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#145 – Tourist
The gentleman in the picture above is Tourist. In a previous life he was known as Little Loud, but that moniker is now dead. Which is a shame, because all of us here at the blog were fans. Luckily the name change hasn’t meant his new material is any less exciting. The material in question is a song called ‘Placid Acid’, which is going to be on an EP released on Make Mine in March. It starts off quiet and almost – so very nearly! – sounds like it’s about to drop into a garage influenced beat. That is just a teasing moment though, as the song slides into a laid-back, 80’s influenced synth driven groove that doesn’t go on long enough. Continue reading
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Review: The Maccabees – Given To The Wild
For me, the new Maccabees record was always going to be a big one. I’ve enjoyed their last two albums so much that I had high expectations of album number three. I remember reading reviews of Wall Of Arms describing how much the band had ‘grown up’ since Colour It In, which is probably true. So, have they done the same thing again and further refined their sound? And is it good? Continue reading
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