One of the first things that struck me about this album was that, aside the lead single ‘Limit To Your Love’ which came out October-time, I had not heard any of the songs before. This is even more refreshing when you consider that in the last 12 months James Blake has released 3 EP’s, all of which were very strong. The fact that he resisted the urge to put any of these songs on the album tells us two things: firstly that he’s written a lot of good songs and, secondly, that he’s probably got a lot more to come. I’d be surprised if this was his only offering in 2011.
The album opens with ‘Unluck’, which is a clear continuation of what we’ve heard over the past year. The synths and drum machine make me think of the Klavierwork EP, only left on its own to calm down for a bit. The next song, Wilhelms Scream (also the next single), continues this slow idea at the start, but it soon starts building up to a drop that never quite arrives. The way I see it this is a nice little critique at the stereotypical ‘club banger’ that has plagued the charts over the past couple of years. While it’s not an entirely comfortable song to listen to, you get to the end of it and feel oddly satisfied.
It is soon followed by the pair of Lindesfarne songs, the first of which uses reverb-laden, treated vocals to create a melancholy acapella song that is is asking for a Mount Kimbie or Burial rework. Maybe even something similar to what Devendra Banhart did with Phoenix’s ‘Rome’ (you can listen to that song here). What this first part does though is act as an introduction to one of the strongest songs on the album, Lindesfarne II. There will be many a comparison with Bon Iver here, understandably considering Blake said that For Emma, Forever Ago was one of his big influences while making this album. This is a very strong song that immensely listenable; I can pretty much guarantee that it’ll be one of the first songs you go back to after you get to the end of the album. Continue reading →
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